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On August 13, 2010 an action, comedy, romance film, Scott Pilgrim vs the World, starring Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Anna Kendrick, Alison Pill, Brandon Routh, Jason Schwartzman, is released in United States.

‘Scott Pilgrim vs. the World’ is a view of the world through the eyes of a twenty-three year old that is over caffeinated from power drinks. He plays retro video games and listens to his iPod while he waits for his romantic interest.

The film, which has been directed by Edgar Wright who gave us “Shaun of the Dead” and “Hot Fuzz” is based on a six-volume graphic novel that you probably haven’t read. Written and drawn by Bryan Lee O’Malley, the print “Scott Pilgrim” is a preposterously charismatic mesh of slacker irony and manga pandemonium that disquiets a group of young, avant-garde rock ‘n’ roll aspirants in Toronto. Wright’s competent achievement is that he has found the movie comparable to the source’s satirical pen-and-ink fizz.

The fans were especially concerned about Michael Cera that he has become dynamically nonspecific. The character’s more irritating qualities (narcissism, an inability to face realism or pay his own way) give the actor a backbone on which to build an actual presentation. In addition it’s amusing to watch Cera hammer super-villains.

Anyone who grew up impelling quarters into an arcade booth or pulverizing their thumbs into a lack of sensation will be on familiar terms with the riffs and references, the hurry up and wait speed at which “Scott Pilgrim” moves. Each time one of the boyfriends is annihilated, he disappears in an explosion of coins: the jackpot! Sound effects explode on the soundtrack and in on-screen visuals, along with witty ID tags raised directly from the comic. Power-ups and extra lives are achievable. This isn’t how your average college kid experiences life; it’s just how he desires he could.

The movie is crowded with characters and likable actors, and if you know the foundation its fun seeing how the filmmakers have cast to the cartoon. There are Scott’s high-handed homosexual roommate and ethical conscience, and spicy turns by Ellen Wong as Knives Chau, Scott’s much-neglected high school girlfriend; Anna Kendrick as his level-headed sister; and Aubrey Plaza as the appalling-tempered Julie Powers.

Extra-special guest stars like Brandon Routh turn up as some of the ex-boyfriends, but by the time Jason Schwartzman is turned out as the slickest, slimiest wicked ex of all, “Scott Pilgrim” is running out of batteries. Wright stages the combat scenes as feverishly inane comedy-action set pieces – he recognizes they’re dance numbers after all – but a fight is a fight, and the movie has too many of them.

After a while you start yearning for a substantial plot on which to hang your interest.

Yes it does become somnolent along the way, and there are one or two evil exes too many. And regardless of Michael Cera employing his much-practiced sickening sweet charm as Scott, he’s more believable as a virtual combatant than a lover. Mary Elizabeth Winstead certainly makes Ramona energetic and enthralling.

Scott Pilgrim uses a whole inner-city dictionary full of geek speak, with whole sentences that are instigated by either hyperbolic internet smack-talk “if your life had a face I would punch it” to video game lingo. The expurgation of discourse assists the pace of the movie, making the conversations between characters frequently pretty speedy, and to the point. Along with the anime/manga orientation in the visual style, the characters’ tongues function with the same rapidity, but still with consistency. And there is abundance of time (and opening) to laugh at this fresh and humorous dialogue.

Scott Pilgrim vs. the World brings to life the fun fantasy of video games, by merging the logic of the video game universe with that of reality’s simpler and debatably much more boring existence. With Scott Pilgrim, life is a video game with 1-Ups, bonus points, hit combos, and even the occasion to destroy our girlfriend’s evil ex-boyfriends. In more ways than one, Scott Pilgrim vs. the World is a daydream come true.

The film possesses an outrageous imagination that grows larger and larger as the story’s events develop to even more heroic heights. It is a movie that doesn’t ensnare itself with video game visuals, but it instead uses that style for much ingenious compensation, making for a fresh experience that is hilarious and warming. The romantics of the arcade have at last been given their fuzz bass-driven love song to their certain way of looking at the world. With Scott Pilgrim being the champion against mediocre boyfriends/movie experiences, he rings true something that has been echoing since the age of Revenge of the Nerds – the geek has indeed become heir to the Earth.

Kids of all ages will enjoy the arcade setting of this movie and the story line will attract teens, but for the adults that are following the manga of the series, they should just stick to the comics. The box office figures are in and Scott Pilgrim vs. the World isn’t just a flop, it’s one of the biggest bombs of the year. On the internet it’s been all publicity for months, but that hype only rendered into a depressing fifth place opening and a $10 million in earnings which only got tougher to earn as the weekend went on. Scott Pilgrim made roughly half of its total on opening night. Not precisely a heartening figure if you’re hoping it’ll make more money with impetus built through word of mouth. Though this movie was up against some stiff competition this summer, it is a summer stock movie that will entertain and send kids to pick up the series.

While Scott Pilgrim is about teens and recent teens, the way it goes about telling its story isn’t precisely teen friendly. The film is steeped in video game culture which, while that might seem like something the kids can grab on to, in this case isn’t. That’s apparent right from the movie’s primary frame where the Universal Pictures logo is redone using 8-bit graphics which look like they were created for the original NES. The 20-year-olds weren’t even born back when me and my now forty-something friends first dug out all the cables to hook our first ever Nintendo up to the television for a round or two of Duck Hunt. The movie’s steeped not just in video games, but in classic video game orientations which kids probably aren’t interested in and even if they were, more or less unquestionably wouldn’t get. It’s more than video games really. The film is inhabited with all sorts of preposterously fun, outdated references.

Scott Pilgrim vs the World is directed by Edgar Wright, written by Edgar Wright, Michael Bacall, Bryan Lee O’Malley, and produced Edgar Wright, Marc Platt, Eric Gitter, Nira Park. The movie is distributed by Universal Pictures.

You can watch the official trailer below.

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